Visions (First Movement)Hierophany Heresiarch Scientific method Interface Dryad Fusion Gaia Magic bullet Scientific method – 2 Puzzle Prayer Parent Pierce Entropy E Personal Jardin public à Bellac (Haute-Vienne) Disposition Vista
Theme and variations - Mirror (2nd Movement)La déesse des blés et des maïs Variation on a theme of Baudelaire White lilac La fille aux cheveux de lin Essence Snake Dance Ille mi par esse deo videtur Her jewels Image Come away with me Daisy chain Kyalyuvat
Rondo (3rd Movement)
Andante (4th Movement)
Finale - Goddess (5th Movement)Zeitgeist All of creation Ballad of the Golden Cow Countdown Requiem for the late tragic events Spectator sport Bushmeat Letter to a chimpanzee
you do not know, woman, whoever you are, that you figure nightly in daydreams and daily in ritual teacup, spoon, and the flower vase with the white lilac in, the invisible props you walk through showing no surprise at the banal events of your everyday saunter ; the brigands’ dance sweeps Jenufa away, the music affecting your cursive glide not at all. why is it always walking I see you walking your slenderness a landscape ; other sphinxes have no muscles for smiling clouds are less corporeal yet from my window firm to your bare foot ; in the Japanese garden an iris, meticulous orange at the centre ; hostas dabble greenpale leaves in wavering flat lake vistas you resolve into one single image, the nympheas and the papertissue salmon-pink azalea : haunted by this ghost of the present I sit on the stone wall of the muted grey Italian garden checking out birdsong and wondering if that was your own owl, Minerva ; beyond the fence you are Alice and the white rose bush she stands beside, your Tenniel image curiously simplified, slowed in the May light --time, and distance darkening fir and spruce and fern; frail against massive red cedars your dryad form: the dwarf maple I kneel to touch has slender leaves like your waist.